There was also his fake-out Drake diss track his made-up Will Smith end-credits anthem for Aladdin and a “rejected” theme song for Ready Player One. His hits include last year’s Lando Calrissian rap, which he recorded in the style of Childish Gambino (sample lyric: “Avoiding trouble chillin’ out in Bespin / Got a rap sheet longer than Jabba’s small intestine”). A writer and performer, Adejuyigbe has spent years taking in all sorts of random web-born phenomena. The animal immediately became the subject of passionate memes and homages, until everyone collectively moved on to the next lunchtime distraction.ĭemi Adejuyigbe, however, never forgot about Darwin. If so, a brief primate primer: In 2012, a Japanese macaque was found wandering near a Toronto-area IKEA, dressed in a shearling coat, looking both dapper and confused. “It’s hard to be cynical about the dead.It’s probably been a while since you thought about the short-lived internet sensation known as Darwin, the IKEA monkey. Now they live on in YouTube compilations, like museum artifacts, a memento of a simpler time.
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Perhaps that is because it was cut down in its prime, before the internet’s dark corners got a hold of it. “Maybe even more short-lived.”Īt a time when social media symbolizes the most dysfunctional parts of our world, Vine is held up by some as an unabashed force for good. “If a Vine 2.0 came around it would have the exact same fate as the original one,” she said. But Hadjiyerou still thinks it would be a mistake. It’s easy to see why people clearly love and miss Vine, and it seems possible to morph that mournfulness into a profit. A group of Silicon Valley investors have recently tried, in fits and starts, to breath new life into the mercurial video-sharing platform under the rather uninspired name “Vine 2”. “In reality, you had to sift through a lot of garbage to find those videos, and I think if they brought Vine back, that would be the first repressed memory viewers would have to confront.” “These compilations make it seem like Vine was this haven of weird, experimental short form videos,” he continued. But now, Vine’s mediocre moments have been effectively forgotten, filtered out of the cultural canon.
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The platform was occasionally hilarious when it was alive, he said, but it was also clogged with plenty of boring, bland chaff. Gundacker believes Vine’s bizarre afterlife can be blamed on a bit of historical erasure. It’s insane.” (Gundacker won’t get specific about how much he’s pulling from those residuals, but does say that they’ve gone up “considerably” now that YouTube is the only place to watch Vine.)
![i am da one vine comp i am da one vine comp](https://thecoffeevine.com/wp-content/uploads/2021/05/The-Coffeevine-Gems-1-manhattan-coffee-calle-janson-2.jpg)
“I get a check each month for Vines I made three years ago,” he tells me. So he signed up for a service called Collab, which recognizes his Vines as intellectual property, and automatically scans YouTube to scrape up any ad revenue they accrue, regardless of what channel they’re hosted on. As one of Vine’s first, and best visionaries, his clips are routinely uploaded onto YouTube without his knowledge or approval. (“It’s a good way to get views,” she explains, diplomatically, as she reflects on her anthology’s popularity. Hadjiyerou told me she received dozens of Content ID claims from the creators of the Vines she featured – all hoping to siphon off any ad winnings her 2.4 million views generated. Videos like Hadjiyerou’s certainly keep their golden era alive, but they’re still cribbing property that doesn’t belong to them. This is a blessing and a curse for the original generation of Viners.